Welcome to Just Pip It

This is my business blog. A blog where you'll find information of antiques, collectable, fashion and other items of interest.

Stunning artwork by Becky Bailey

Buyers and Sellers, please email justpipit@hotmail.co.uk for more information or visit www.justpipit.co.uk

At Just Pip It, we love our fashion

We buy and sell a wide range of fashion brands and styles. If you are looking to buy a top designer fashion item or have items to sell, please contact Just Pip It.

Just Pip It sell a wide range of antiques and collectables.

Just Pip It are looking for a wide range of antiques and collectables. If you want your item valued, contact us and we'll arrange the items to be collected and you'll receive a full description plus an estimated sales figure.

Click on the tab above for further information regarding our fees.

Just Pip It are more than just an Ebay broker. We sell on various websites and offline auctions to make sure that your item sells for its true market value.

Showing posts with label Fashion. Show all posts
Showing posts with label Fashion. Show all posts

Wednesday, 4 April 2012

Elizabethan Dress - A Guide to European to Styles

Women's clothing begins with their underwear, which is a chemise or smock. The chemise is nightgown-like undergarment, usually of white linen. It may show slightly above the bodice or through the sleeves, but it is underclothing and therefore normally hidden.. It is typically worn with a partlet -- a garment gathered to a neckband that filled in the part of a woman’s chest above the bodice. The comon style of chemise is with a drawstring neck and wrists. Italian women used a smocked style of chemise, where the gament is gathered to a solid band, but the average woman's chemise was very ancient in design, being made tunic-like of square, ungathered pieces.Working women are often  depicted without oversleeves or jacket, with their chemise sleeves rolled up. For upper class women, this chemise may be of very fine linen, and beautifully worked with embroidery that no one but the lady, her maids, and her bedfellows ever saw.
What happens after the chemise is a question of social class. For lower class women, the next garment may be a kirtle, a one-piece, sleeveless dress, and over this a gown or overdress, which has a bodice attached to a skirt. The gown opens up the front and is laced together. Sleeves may then be attached by pins (even the poorest women would be expected to have a little "pin money" for those so-necessary pins to keep her clothes together.). Although this is a style of the 1560s and 1570s, lower class people's clothing changed much more slowly than upper class fashion
A
.Over her chemise an upper class woman would probably be wearing a "pair of bodies" (corset) and a variable number of petticoats.  The corset is  boned in order to give the proper flat-chested, long-waisted look without wrinkles. The boning was done with caning or rushes (modern substitutes are of plastic or metal). Over the corset and petticoats and upper class woman would wear a gown. This is one piece, with skirts sewn to the bodice, as for the peasant overdress, but it does not usually  lace up the front. Instead, it is more likely to fasten almost invisibly up the back side. The bodice has "princess seams" shaping its back, and the opening is often along one of these seams. It may be open down the front of the skirt to show petticoats or a special "forepart" underneath.

The skirts of gowns are very full, with multiple petticoats underneath and often padded out at the hips with a bum roll. The gown may also be hiked up and tucked in the waist to show the petticoats. Working women wore their skirts above their ankles, and often as high as mid-calf. They couldn't afford to be tripping on them around the hearth!
Queen Elizabeth
The 1590s saw the arrival of the drum farthingale for upper class women, which looks like a platter around the woman’s hips, with the skirt falling straight to the floor from the edge of it. Often a flounce was pinned around the edge of the "platter" (this flounce seems more English than French). How this was constructed is debatable, but it may have been an overgrown bumroll. The more traditional cone-like farthingale was still worn in Spanish-influenced territories (including the Imperial states) but it was out of fashion in France. For an extreme version of a truly royal gown wth a drum farthingale, see the portrait of Queen Elizabeth..  This woman is clearly wearing a bumroll, not an elaborate contraption.
Catherine of Austria
Women from the middle to upper classes also sometimes wore loose overgowns, rather like a long robe, with no waist or belt, over a kirtle. This would have been a rather comfortable and warm style in the winter (men
also wore the same type of overgown, usually at home or as a magisterial robe). This portrait of Catherine of Austria is an excellent example.
Women wore ruffs like men, both with and without partlets (it was a maiden’s privilege not to cover this area, and Elizabeth of England made a point of it). They did not wear the falling collar as much as men at this time, but upper-class did wear a dramatic, stiff, fan-like collar wired to the side and back edges of the bodice, sometimes with veils flowing out behind. This picture of Marguerite of Valois from the 1580s demonstrates the style.
Marguerite of Valois

Women wore caps of various kinds. The "Mary Stuart" style, with a heart-shaped outline around the face, is still worn. Wearing the hair brushed up over pads to make a kind of beehive is a trendy aristocratic style -- a more modest version of the same is also worn. Close curls are still worn also, with the long hair gathered into a bun in the back that was usually covered with a small cap or net of some kind. Women also wear men’s style hats over their caps -- a scandalous fashion development according to some. A woman rarely has her hair completely uncovered, and an older or widowed woman would be likely to be even more covered. A working woman would probably have a kerchief or headcloth. A common style is to braid the hair and wrap it circularly around the back, then cover the braids with a small cap or cloth that might be woven into the braids.
A woman wore knee-high stockings under her skirts, held up with simple garters. She might also wear knee-length drawers for comfort and warmth (these are crotchless, for convenience). The custom of wearing drawers seems to originate from Italy and was not necessarily widespread elsewhere.
A gentlewoman traveling out of doors commonly wore a mask -- a full-face number, often made of black velvet, to protect her delicate complexion from the elements. She would also wear a traveling cloak.
A working woman wore an apron. This might be nothing more than a piece of cloth tucked into the waistband of her skirt -- maybe with the upper piece of it pinned to her bodice. Like her brothers, a working woman’s wardrobe was not much subject to change.

Wednesday, 28 March 2012

Elizabethan Clothing Laws

Queen Elizabeth Dress -All gold dresses could only be worn by Royalty
Fashion plays a great role in the lives of people today; it displays our values and projects who we want to be and where we are going.  Many would think this is a relatively new phenomenon, where in fact it is quite the opposite today we are relatively relaxed about fashion and the meaning behind our attire. If you go back to Elizabethan times  things were quite different – Clothes said everything about you from you class, rank and positioning in the social hierarchy.

Clothing worn by Nobility

“Sumputuary law” derived from the Latin 'Sumptuariae leges' governing the laws brought into force in order to systematise the people’s habits around clothing, food, trade or business. The Sumputuary laws were passed in 1571 during Queen Elizabeth I rule. An example of this is that everyone aged 6 and above has to wear a woolen cap on Sundays and holidays.


Elizabethan clothing law was very strict for women. There were restrictions on the type of fabrics, materials, colours and cuts that could be used for making the clothes. Along with the restriction mentioned above, the ladies of the upper classes were spending was capped at 100 pounds a year on their clothing.

These laws made hierarchy ridged and on show; only the Duchesses, Marquises and the Countesses could wear any cloth made of silk, fur or tissue. The luxury fabrics like silk, satin, mixed or embroidered clothes having gold, silver or even pearl on them was strictly reserved for the Aristocracy.

Fabrics such as  velvet, furs, leopard fur, or any silk embroidery, enameled chains, buttons , agelets, and laces on the dresses made of gold or silver thread were only for the Ladies of Aristocracy  (not wealth), or the wives of Knights of the Garter and the Privy Council, Privy Chamber and Maids of Honour.
Usage of Silk Grosgrain, Camlet or Kirtles of Stain were permitted for women who were wives of the sons of the Knight's heirs, and their daughters or even those who could afford to spent 40 pounds year on their fashion.

The use of Velvet, Satin, Gold or Silver in the petticoats was only permissible for women who were wives of Barons, Knights, or were Maids of Honour, and Damask or other materials made from silk were to be worn in the petticoats by the daughters of the Knights.

It can thus be seen that the Sumptuary laws forced the Elizabethan people to abide by it. As a result of the enforcement of this law, there was only a certain type of fabric and material used by the different sections of the society which in turn helped in the easy identification of the person's social ranking.

Thursday, 15 March 2012

A Perfect Fit - A Guide to Men Suit Patterns.

Here is a quick guide to assist the identification of suit patterns - Essential information to any stylish or metro-sexual man.


Twill (or block colour patterns)

Gabardine

Fabric is weaved with a pattern of diagonal parallel ribs.  Twills generally drape well and are a widely accepted and popular choice for all types of suitsExamples of twill fabrics are gabardine and tweed.Solid block fabrics are usually made in twill pattern, especially gabardine. 


Pinstripe
 
Regularly spaced, parallel stripes of a lighter/variant colour woven into the fabric. Stripes vary in size from thick to thin, and may be widely or tightly spaced. Pinstripes are a very popular selection for all types of suits and jackets, especially for business suits. Chalk stripes are often bolder, more widely spaced white stripes on a dark fabric background.  

Glen Check or Prince of Wales Check

 

A simple, elegant and popular pattern that uses  alternating small checks within larger checks often involving a small amount of Houndstooth alongside the Checks. This pattern is equally as good for a sports jackets as it is for a business suit. A good all rounder.


Herringbone

 

Uses alternate diagonal lines making a distinct V pattern across the fabric. The herringbone pattern is very popular and can be used for almost any type of suit or jacket. 

Houndstooth

 
It is a dual-tone pattern characterised by broken checks or four-pointed shapes much resembling a dogs tooth (hence the name). Usually found in black and white, other colours are sometimes used. Houndstooths are usually chosen for more casual jackets rather than formal or business suits.

Windowpane

 
Finer and less lines create large open squares creating a checkerboard effect across the fabric. This pattern could be considered either sophisticated or daring however this would depend on the boldness of the overall pattern. 

Nail Head or Bird's Eye.

 
Somewhere between solids and stripes is called the nailhead or bird's eye pattern. When examined closely, these patterns have the appearance of tiny dots of a lighter colour on a darker background giving the appearance of an overall solid colour somewhere in between the two colours. Nail-heads are versatile and are appropriate for almost all occasions. 


If you have any mens designer or tailored clothing you no longer want then contact www.justpipit.co.uk

Monday, 5 March 2012

The Approaching Spring.

Update your wardrobe for the oncoming Spring with the new stock of Ladies clothing recently arrived at Just Pip it. A selection of high quality Designer labels including Prada, Escada, George Rech, Moschino and many more in our fashion section.
Don't hang around as they will not be around for long. 

Wednesday, 29 February 2012

Current Fashion Items

We are always on the look out for amazing new designer-wares and old vintage clothing and accessories. Our recently sold and current stock include the fabulous designers such as Jimmy Choo, Amanda Wakeley, Symthson, Hardy Amies, Nicole Farhi, Moshino, George Rech, Agnes B, Prada, Escada and much more.

Jimmy Choo's for sale at Just Pip It

The Jimmy Choo stiletto heels are unique and beautiful. Gold leather with intricate decorative crystals and diamante design with a 4" stiletto heel. They have amazingly only been worn twice so are in near new condition. Jimmy Choo is a British high fashion house specializing in luxury shoes, bags and accessories. A worldwide brand with over 100 stores worldwide and in 2010 was voted Britain's most desirable brand by OK Magazine! Simply, a must have item for any formal dinner party.   



Recently sold Smythson Bag
Other recently sold items include a couple magnificent Symthson hand bags in as new condition. Pure luxury leather handbags crafted by one of the world's best. Symthson of Bond Street have clients including the current Royal family, Queen Victoria, Edmund Hilary, Madonna, Grace Kelly and more. We desperately want more Symthson items, so please get in touch!  

We are always looking for new stock for our fashion lines so please get in touch. If you collect particular items, please don't hesitate in contacting us as we'll contact you if we find that ideal designer.

All our stock is in near perfect condition and authentic items.