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This is my business blog. A blog where you'll find information of antiques, collectable, fashion and other items of interest.

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We buy and sell a wide range of fashion brands and styles. If you are looking to buy a top designer fashion item or have items to sell, please contact Just Pip It.

Just Pip It sell a wide range of antiques and collectables.

Just Pip It are looking for a wide range of antiques and collectables. If you want your item valued, contact us and we'll arrange the items to be collected and you'll receive a full description plus an estimated sales figure.

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Just Pip It are more than just an Ebay broker. We sell on various websites and offline auctions to make sure that your item sells for its true market value.

Showing posts with label antique furniture. Show all posts
Showing posts with label antique furniture. Show all posts

Wednesday, 4 April 2012

Louis XV Style Movement.

Bernard van Risenburgh

Masterpieces were created under Louis XV. It was a period of extraordinary creativity. Curved lines and asymmetry became the rule. New pieces of furniture were produced to perfection. Foreign masters came to Paris to work at the Court such as Bernard van Risenburgh or B.V.R.B., Vandercruse known as Lacroix whose stamp was P.V.L.C.

Vandercruse Lacroix

During this time the fashion for Chinese lacquer had begun to have great influence on European styles. There wer many type of popular decoration. Typical examples of these would be that of flora and fauna combined with chinoiseries and feminine faces, flowers and moulding work. The wood was often painted or in gold leaf. Considerable bronze ornamentation was an essential part of some items. Flower marquetry was very fine during this age.



Some chairmakers of note include; Nicolas Heurtaut and Tilliar, Famous stamps abounded: Godreaux, Oeben, Criaerd, Dubois, Foliot, Lieutaud, N.Petit, Migeon, Joubert and Roussel.

Veneers in Paris was led by the like of Vernis Martin. The vital official stamp "JME" appeared on furniture in 1743 followed by the crowned "C" in 1745 on the gilded bronzes.
Caffieri was the great bronze craftsman to the period.

The provinces kept up with the movement: Nogaret in Lyons, Hache in Grenoble.
Furniture : in addition to cupboards, bookcases, often decorated "sans traverses", new items appeared : chiffoniers, writing desks with flaps, card tables, roll-top desks, ladies' furniture : dressing tables, chairs with short armrests, desks, escritoires. Wooden paneling could be seen.
Materials: most precious woods imported, gilt wood, bronzes.



For an opportunity to own your own peice of Louis XV furniture visit www.justpipit.co.uk

Tuesday, 3 April 2012

Identifying Antique Furniture

  • You can often date a piece by studying nails and screws.

Nails

  1.  Furniture predating 1790 will include "rose-head nails," that were hand-forged by blacksmiths. These nails can be identified by their irregular, rose-shaped heads.
  2. "Square-head nails," employed from 1790 to 1830, were machine cut and finished off by a blacksmith who squared the heads. 
  3. From 1830 to 1890 cabinetmakers used headless "machine-cut nails, that are tapered and rectilinear in shape. 
  4. Modern "brad" and "penny" nails were introduced around 1890. 
  5. Screws were occasionally used in furniture pre-dating the beginning of the machine era (Circa 1830).  Blacksmith forged examples can be identified by inspecting for thin and slightly off-centered slots and off-round heads.
     
  • The "circular saw" invented in the 18th century, did not come into wide usage until after 1830.  Thus, boards displaying "circular saw marks" will not be found on furniture pre-dating the "Empire Period" (1830-1850). Unfinished pre-1830 boards cut from vertical motion "ripsaws" will often display small, somewhat parallel, saw lines.
     
  • Before the introduction of power driven woodworking machinery in the mid 19th century, lumber was worked by hand. After hand-sawing, cabinet makers dressed their boards with a jack plane and draw knives. On authentic furnishings pre-dating the "Victorian Period," (1850-1910) unfinished non-visible "secondary" surfaces like backboards and drawer bottoms will show evidence of "hand-planing" by feeling for subtle undulating rows in the wood.
     
  • Small wooden pins known as dowels can be helpful in authenticating age.  Machine era pins will be perfectly circular and flush to the surface.  Antique dowels are non-round and will protrude slightly from the surface because of shrinkage in the wood they are securing. 
Dowels
 
  • Wood shrinks in a direction opposite the grain.  The degree is determined by softness of the lumber, age, and environment.  Therefore, authentic antique furniture can be discerned by inspecting for evidence of: gapping between boards, shrinkage cracking, buckling veneer, protruding pegs and breadboard ends, and legs extending slightly beyond the frame or "skirt." Early circular tabletops will measure somewhat oval, 1/8" to 1/2" longer in the direction of the grain.
     
  • Outline and thickness on early hand-wrought iron and brass hinges will be non-uniform.
     
  • The top rail on early 19th century chairs will be joined with non-round tenons that can be viewed by slightly pulling the yoke from the stile. Circular dowels are evidence of  "non-period" chairs.
     
  • Visible surface planks (primary wood) on genuine antique furniture will be wide, varying in thickness, and relatively free of blemishes.  Knotty pine was not employed by olden day cabinetmakers.
     
  • Although it has been stripped and refinished back to the original wood, much old-time non-mahogany furniture was originally painted.  Analysis of wood pores and fissures with a jeweler's loop will often show several layers of paint residue. This "paint history" can help authentic a piece and determine whether individual components-the feet, the top, etc.-are original or undesirable replacements.

Tuesday, 27 March 2012

Louis XVI Furniture - The Style Guide.

The Louis the XVI era brought about a great change in appearance and style - ushering in the more delicate and dainty characteristics typical of that time. Here is a quick list of the changes from the previous styles.


Louis XVI Style   
  • The structure of Louis XVI furniture evolved into a more linear and rectangular style giving up the ostentatious curves and bows of the previous Louis styles.
  • The legs were mostly straight, either being reeded, turned and fluted or turned and spiral.
  • Classicism returned, although it was more naïve than that of the Brothers Adam and often appears dainty and somewhat playful.
  • Generally speaking, all the elements were fine and dainty, perhaps appearing more so following the Louis XIV and Louis XV eras.
  • Ornament changed dramatically from the two previous periods. It became far more subtle. The depictions were of cherubs, nymphs, birds and pastoral scenes.
  • Flat surfaces on cabinets were often framed by straight borders or parallel borders rather than ornament.
  • Bisymmetric balance returned.
  • The colors tended toward the pastels with lots of neutrals, again a departure from the previous eras.
  • Furniture was often painted. In fact, more furniture was painted during this era than any other period.
  • The overall style is definitely feminine, being dainty and in many cases the pieces were smaller.
  • Mahogany was the wood of preference although all woods were used.
  • Upholstery fabrics were mostly brocades, as in the two previous eras, but with smaller and quieter designs.
Brocade

a class of richly decorative shuttle woven fabric, often made in colored silks 
The earlier Louis XV Style.


To buy a Antiques French Furniture visit www.justpipit.co.uk

Monday, 26 March 2012

Chaise Longue - The Variations

Chaise Longue is a classic and icon piece of furniture synonymous with high French style and courting romance of ages gone by. 

There are three main Styles of a Chaise Longue:

Duchesse brisée  
 The Duchesse Brisee or Broken duchess in French this refers to the Style of chaise longue which has been divided into section usually two or three, this then taken apart can supply a chair or two and a foot stool of kept as the classic Chaise Longue. The origin of the name is unknown.


Récamier 

A récamier is in one piece but has two raised ends, and nothing on the long sides. It is sometimes associated with French Empire (neo-classical) style. The name derives from the French society hostess Madame Récamier (1777–1849), who used to posed with great elegance and style on a Chaise Longue such as this. She had her portrait painted in 1800. The shape of the récamier is similar to a traditional lit bateau (boat bed) but made for the drawing room.
 


Méridienne  
The méridienne has a high head-rest, and a lower foot-rest, connected with a sloping back. Whether or not they have anything at the foot end, méridiennes are asymmetrical day-beds. They were popular in the grand houses of France in the early 19th century. Its name is from its typical use: rest in the middle of the day, when the sun is near the meridian.


Wednesday, 29 February 2012

What is an antique? And a short guide to English furniture, its periods and styles

Until around 1870 the term 'antique' was used to describe things appertaining to ancient Greece and Rome. Today 'antiques' refer to items more than 100 years old, although purists have set an earlier date of 1830.

Since 1980 the unofficial trend has been anything made before the Second World War. The pre-war world was in many ways very different from the one we live in today, and we feel that taking 1940 as the cut off point is now a sensible year date.

English Furniture

English furniture styles have developed alongside those of mainland Europe, but were interpreted in a distinctive fashion. There were also many regional variations within Britain. In England itself, regional accents are marked by the differences between, say, North County chairs and those of the West County; Salisbury and Norwich were noted centres of production at an early date.

Wales retained the dresser and the press cupboard as status symbols long after they had ceased to be fashionable in England, and further distinctions are to be drawn between those of North and South Wales.

In late 18th Century, Edinburgh was producing sophisticated furniture, some of which with distinctive differences from that of London.

In the mid 18th Century, Irish furniture was so extravagant in its use of rich carved mahogany that a whole class is described as 'Irish Chippendale.'

Typical English Styles:

Medieval: Split into two types, Romanesque and imported to Britain following the Norman conquest in 1066. Gothic is from about 1300 to 1550 and the change from Romanesque was gradual. The Gothic style was revived in the mid 18th Century and again Regency and Victorian times.

Elizabethan: Renaissance: When Elizabeth I came to the throne in 1558, most furniture was plain and functional. After 1570, a version of Renaissance style owing more to France and the Netherlands appeared.

Jacobean: Covers the reign of James I (1603-25) but also used to cover that of Charles I (1625-49).

Cromwellian or Commonwealth: Plain mid 17th Century furniture said to be made for Puritans. Square-backed chairs, with leather upholstery fixed with large headed nails.

Restoration: Also knows as Carolean, in reference to Charles II reign and also covers James II (1685-9). Dominant styles is baroque but more Franco-Dutch than Italian. Skilled French workers sought refuge in Britain when Louis XIV ceased to protect Protestants, 1685.

William and Mary: More foreign craftmen (Dutch and French) arrived in Britain following the accession of William of Orange and his Mary, the daughter of James II, in 1689. Fine cabinet making, walnut and ebony veneers, floral and 'seaweed' marquetry. Era continues to 1702.

Queen Ann: 1702-14, the cabriole leg dominated; surfaces were veneered with walnut, but marquetry became less evident. English craftsmen, having acquired foreign skills, adapted these to their own style.

Queen Anne Circa. 1710 Tallboy

Early Georgian: George I and early years George II until app. 1730. Mainly Queen Anne style, but heavier. Claw and ball feet became the fashionable termination of the cabriole leg.

Mid Georgian: George II 1730-60 and the early years of George III. Mahogany replaced walnut as the fashionable wood. In 1754, Chippendale's designs appear; Ince and Mayhew's, 1759-62. Some designs closely followed Louis XV fashions.

Late Georgian: The George III period lasted from 1765-1800, but the term is often extended back to 1730. First came the neo-classical style led by Adam- vertical lines, ovals, circles, columns, urns, disciplined carving, gilding and painting related to the Louis XVI style.

Regency and George IV: About 1800-30. Sometime imncluded with the Late Georgian period. Furniture has much in common with French Empire style, Greek, Roman and Egyptian models used.

William IV and Early Victorian: Much furniture made 1830-50 was still neo-classical, but heavier than Regency. Parallel with this are the Gothic revival by commercial manufacturers.

Mid Victorian: The Great Exhibition at Crystal Palace, 1851, brought Continental exhibitors to London, stimulating an eclectic taste for revivals in almost all historic styles.

Late Victorian, Art Nouveau and Edwardian: Heavy Victorian styles persisted until around 1910, along with reproductions of English, French and Italian historic types, but the Arts and Crafts Movement led by Mackintosh, Ashbee, Baillie Scott and Voysey introduced new ideas.

Modernist and Art Deco: The period in between the two world wars, marked by genuine desire for greater simplicity and honest, economically made furniture.

Louis XV Furniture

Louis XV Corner Cabinet for sale at Just Pip It

Louis XV was the king of France from 1715 to 1774. He was great-grandson of the well-known King Louis XIV.

King Louis XV wasn't the most popular of kings, however, the furniture pieces that were created in this time are held dearly and are given high value and worth. It is often thought that the elegant pieces of furniture are simply symbols of the people's determination and perseverance under such a bad ruler.

Louis XV furniture typically has more curves and fewer angles. There are many elegant sweeping lines. With a Louis XV item you will not find any straight lines or cuts. Items are very detailed and intricate. It took exceptionally talented craftsmen a long time to carve ornate and beautiful designs on the wood. The actual designs alone make piece well-loved.


This type of furniture symbolize romance, love and sensuality. The furniture pieces are light and very graceful, whereas items from Louis XIV period are far more big and brass.

Just Pip It is currently selling a Louis XV corner cabinet. A lovely piece of furniture with fantastic marquetry. For more photos and information please click here.